"I got no chill", chat?

If I had maybe I wouldn't loose time somewhere of denial about "coolness". I wanted to be as you edgelords. I parroted after Vit and Eris who are seen as "cowboys" but when I do, "kind flower", oh woe, you expect for "it" to be unscathed.

Instead of being applauded for change or whatnot, I got lecture.

That is not to say I don't get it, but it just shows how there can't be "real change" in society everybody wants so, nowadays. So seems to be incentive of "underground schizo forum". Nice...

(^something similar to what i already replied to you upon your writing to me - "i wanna be like you (Vit, Eris, Boxer...)"-phrase)

3am thoughts about it all, right after ban (not to cry out, but to get my POV (as said before))

Defence I wrote

(What being banned taught me)

It taught me that snark, without being too obvious, can never be so good how it can totally go wrong and be misunderstood. To put /s there next time …

Brutal, stupid, and cut into the wrong place. What that could be, was just a funny clip about… Something. Yet it, by the look back, looks totally regarded and not funny even as satire. Maybe it was funny to me because I was "in the flow" - writing crass.

I wrote it because I wanted to see weird stuff. How [they] hate [him, SP (me)] because… Basically of what we saw today, because every time he posts, it is either pain or nonsense, or both at once - I wanted to wrote how HK finally snaps and reverse Carrie force leads others to "randomly" (fate? plot?) meet, despite all odds.

It had to be funny, but boiled down into (usual, Porcupine) shit. Instead of Mike Meyers humor, it became New Velma -tier self-insert, arguably even worse than that one…

But I doubt that even if others would get it, or better that terrible part with V-h got deleted, the form, still, misses something crucial, yet to be believed/solved.

dellor

https://www.youtube.com/watch?v=9TyP-WeCWJg

>>0x000007

> You can't escape the kind of artist you have trained to be.

deep

https://www.youtube.com/watch?v=dDLLd16L6ZQ

me to my friend, "do you get this reference"

> Yes. The bajorans are like jewish dlave workers at a nazi death camp. But even after the bajorans sieze control of the station, there is an automated system they set off. Its a recroding that plays during a lockdown that is meant to kill them off if they took control.

>>0x000001

> idk

yes it does still work, but I also have to wait 60 seconds to test if the reply works

I edited the Dada Manifesto (1918) by Tristan Tzara to be easier to consume for modern day retards

https://goeshard.org/2025/06/03/dada-manifesto-1918-by-tristan-tzara/

The original translation I had was

https://writing.upenn.edu/library/Tzara_Dada-Manifesto_1918.pdf

>>0x00002a

I agree with your sentiment abour vaporwave as a music genre. It's incredibly disappointing to see not just how vaporwave is used as a vehicle for people trying to push commercial music and commercial record labels in this day and age, but also how people who were on the cutting edge of the genre in the early twenty tens shed all their scruples and race to show their faces as fast they can to capitalize on it.

As a visual aesthetic I tend to be more forgiving. The worst crime that visual artists commit when doing vaporwave is copying people before them, or often times, not being aware of the genre as a sonic movement at all. There is arguably a problem with people not knowing the difference between synthwave aesthetic and vaporwave aesthetic, but overall I'm not as strict in my critiques of the visual aesthetics.

Despite sharing the same name, they don't always have that much in common (the visual and sonic). A lot of times the visual representations had more to do with the early 2010s than with vaporwave in particular, which just happened to blossom at the same time as those visual aesthetics.

Because it's an imageboard, I thought it would be cool to gather a collection of art to put into the thread and show off the image displaying functionality of the site. But I agree completely that vaporwave is more important as music genre than a visual art genre, as iconic as the aesthetic is at this point. It is sad that the majority of people will never know or care about that.

Invest in talc. It massively reduces stickiness and chaffing in the groin and arm pits.

Stay hydrated.

Make ghetto air con - put bottles of water in the freezer and bring them out to melt in the room you want to chill. Put them behind a fan for best results.

Close the curtains of the windows facing the sun.

At night open your doors and windows to cause a breeze to pass through the house.

Use thin sheets to wick away sweat.

Buy some fans to move air around your house.

Don't cook - eat more salads and sandwiches so you aren't running a box of fire in your house.

Turn off lights and get low energy lightbulbs - they put out less heat.

Keep windows closed if it's hotter outside

Grow trees and plants in your garden - they reflect heat and also absorb it. They also release water which draws the heat away.

I dread summer and it gets worse every year. Fuck climate change.

A lot of the images posted above are post-vaporwave, which is a genre defined by the influence of vaporwave long after it has been and gone. You'll find the Helios head and major 80s icons mixed with liminal spaces and neon pink. It is big in AI generated content and Instagram filler, which is like the fleamarket of the internet. If this sounds like a value judgement it's because it is.

Vaporwave was initially a spur of plunderphonics, a sort of shitpost subgenre of sample music. The genre of Vaporwave diversified into further subgenres like signalwave. Early vaporwave is best defined by Macintosh Cafe - Floral Shoppe and Eccojams Vol 1. This was experimental music with heavy reliance on familiar materials warped and distorted. The familiar was the canvas upon which the distortion became the feature.

Most notably, vaporwave is anti-commercial and stirs up questions of ownership and commercial failure, which is not something that can be done when making commercial-friendly music (i.e. using "original" samples to avoid takedown requests). By making remixes of commercial music it is making a clear statement of intent - this music is not for sale.

This movement into commercialising a hobby saw the rise of the Slushwave genre, spearheaded by "Desert sand feels warm at night". He conducts slushwave parties, which have a wide selection of sample-based artists. The Slushwave parties are good fun, but the artists are rarely vaporwave or vaporwave adjacent, with the majority using their own original samples, or masking as related in order to sell to a new audience.

This says something wider on the topic of the art as a whole. Initially vaporwave asked "what can music and ownership be?". Post-vaporwave says "these are the icons of vaporwave, you must use them as symbols - but you must only reference them by their shadows in order to keep the lawyers placated".

Vaporwave was pottery. Post-vaporwave is the endless recreation of legally distinct Ming Vases.

>>0x000007

> overly muscled Moe

...never thought about it that way but you have a point.

It looks like the comic cuts off before the sex fantasy begins. Everything in this comic points towards an erotic comic - the overly muscled Moe, the dark male hands, the tentacles in a shadowy bedroom pulling the character back into the bed. You can't escape the kind of artist you have trained to be.

it's going to be over 40C here at the height of Summer...