Her career began during the 1970s New York City no wave scene as the singer and guitarist of Teenage Jesus and the Jerks, which is the era of her work that I'm most familiar with.
This is the discography of that band:
https://lydialunch.bandcamp.com/track/baby-doll
You should listen while reading...
No Wave
It's noise music with the instrumentation and aesthetic of punk rock. The most interesting thing about it is that it occurred along side and was contemporary with the earliest 1970s New York punk and yet it sets the stage for every flavor of post-punk genre to come.
While 1970s punk might have started in dingy clubs with musicians that were not trying to blow up, it instantly became the commercially viable pop rock of the era. It's interesting that while that evisceration of punk culture was going on, there were extremely influential and authentic punk acts that would push the genre into the directions we would see develop further in the 80s.
As far as I see it, 80s hardcore music owes its entire existence to the no wave scene.
https://en.wikipedia.org/wiki/No_wave
In this thread, we're going to look at Lydia Lunch in 1970s New York.
>>0x00000b
> me irl
the main reason i cant relate to hooni at all is because i look more like that than like him
>>0x00000c
give me a comic with that guy as the MC
>>0x00000d
> give me a comic with that guy as the MC
one time i read a webcomic about moe from the simpsons and his misadventures and it was a lot more relatable because im more of an ugly caveman then a small twink
but i can relate to hooni wanting to kill himself constantly
>>0x00000e
> a webcomic about moe from the simpsons
Simpsons webcomics is a rabbit hole that I always wanted to go down but haven't yet
I like any form of art that is based on the appropriation of popular media