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Let's read the cyberpunk transhumanist comic book series written by Warren Ellis and drawn by Darick Robertson; it was published by DC Comics in 1997–2002.
> In college I stayed the night at these peoples' house after a party and waking up earlier than anyone else, I didn't have much to do except read the first issue of this comic. I remember liking it but I never saw it again and didn't think about it for a long time.
I'm going to be reading here. https://readcomiconline.li/Comic/Transmetropolitan
Cross over with the cyberpunk thread maybe? https://goeshard.org/main/0x000003/
We learn how it's possible for transients to change their species into an alien. I just read it and even I couldn't explain it to you. Everyone hates the transients. They're holed up in a ghetto, moving around convinced they've seized control but they're just waiting to be slaughtered. Kinda remind me of anarchists from the Spanish Civil War.
Their leader is a douchebag.
Transients are suffering. Guy leading the revolution is an idiot. Spider adopts a mutant cat. Nothing on TV but bullshit. Fin.
This comic is really at its best when it's showing and not telling.
It's not that the writing is bad or anything. The monologues of Spider Jerusalem bring the whole thing together. But that's where it really shines: Spider the journalist telling the story.
This comic is sweet. You should go back to reading it.
Step back in time and immerse yourself in the charm and elegance of vintage and retro fashion.
From the glamorous 1920s to the chic 1970s and beyond....
Her career began during the 1970s New York City no wave scene as the singer and guitarist of Teenage Jesus and the Jerks, which is the era of her work that I'm most familiar with.
This is the discography of that band:
https://lydialunch.bandcamp.com/track/baby-doll
You should listen while reading...
No Wave
It's noise music with the instrumentation and aesthetic of punk rock. The most interesting thing about it is that it occurred along side and was contemporary with the earliest 1970s New York punk and yet it sets the stage for every flavor of post-punk genre to come.
While 1970s punk might have started in dingy clubs with musicians that were not trying to blow up, it instantly became the commercially viable pop rock of the era. It's interesting that while that evisceration of punk culture was going on, there were extremely influential and authentic punk acts that would push the genre into the directions we would see develop further in the 80s.
As far as I see it, 80s hardcore music owes its entire existence to the no wave scene.
https://en.wikipedia.org/wiki/No_wave
In this thread, we're going to look at Lydia Lunch in 1970s New York.
It might sound like I don't like her, but I do.
I like what she represents and I don't care if not everything about that is something you can shove praise at.
She isn't afraid of the possibility that you're not going to like what you see. She is counting on that.
I think these are the only pictures of her I've ever seen where she doesn't look prepared for the camera though.
She is an aged woman at this point. And she's still doing her thing. So you have to respect it.
do you guys like hooni from the webcomic "suicide boy"
me irl
>>0x00000b
> me irl
the main reason i cant relate to hooni at all is because i look more like that than like him
>>0x00000c
give me a comic with that guy as the MC
>>0x00000d
> give me a comic with that guy as the MC
one time i read a webcomic about moe from the simpsons and his misadventures and it was a lot more relatable because im more of an ugly caveman then a small twink
but i can relate to hooni wanting to kill himself constantly
>>0x00000e
> a webcomic about moe from the simpsons
Simpsons webcomics is a rabbit hole that I always wanted to go down but haven't yet
I like any form of art that is based on the appropriation of popular media
