>>0x000006
> Random Thought: Do you think CORS policy is pointless since anyone who wants to circumvent it can configure a CORS proxy?
It's not about stopping people from making arbitrary requests to your site. They don't even need a browser to do that, they can do that with curl just fine. It's about stopping people from making arbitrary requests from a user's browser with the user's credentials.
If a script on evil.com sends a request to gmail.com to download all of the signed-in user's emails, that will be blocked by CORS, because that endpoint is not accessible cross-origin (for hopefully obvious reasons). If a script on evil.com instead kicks off a request to a cors-proxy to try the same thing - literally nobody gives a shit, because the cors proxy doesn't have the user's gmail cookie.
I tried to be a programmer, many times, over several decades. And it just never clicked for me.
My inadequacy as a programmer far surpasses you, macho man. Don't let them poo on yoo.
>>0x000008
> I tried to be a programmer, many times, over several decades. And it just never clicked for me.
It didn't click for me the first times I tried either. But don't take that as a recommendation from me to give it another try. The worst case scenario is this time around will be the time that it does click for you, and you'll waste an enormous amount of your life on software that you wouldn't otherwise waste. :)
Recently had the chance to dive into the world of teledildonics for the first time, and I’m genuinely excited about the possibilities this technology opens up.
For those who haven’t heard of it before, teledildonics is a fascinating field of technology that allows for remote interaction with sex toys via the internet. Essentially, it lets you connect with someone on a physical level, even if you're miles apart. Imagine sending or receiving sensations from your partner through a device—it's like bridging the gap between virtual and physical intimacy.
teledildonics is a good word
Put the dildo on a mechanical motor that moves exactly the way your penis is moving into a fleshlight with sensers. Thats what they would need to make.
>>0x000006
Some people would like that and other people would rather be in control themselves. It just needs to "do the thing" in response to input. Since you're already having this abstract kind of sex you don't necessarily need to be bound by the limitations of real sex.
A long time ago the word "teledildonics" popped into my head and I was kinda bummed to find out it was already a thing because I wanted to make it a thing, but my idea was far dumber anyway.
as an aesthetic genre, emerged alongside its musical counterpart in the early 2010s. It is characterized by a distinctive visual style that often incorporates elements of early internet culture, 1980s and 1990s nostalgia, glitch art, and surrealism.
Let's listen to Veins Real Cold by Contact Lens while we view this thread.
>>0x00001f
it seems kind of a joke to me that artists who did not traditionally make vaporwave have re-marketed their music ideas as "sample free vaporwave" and then have the audacity to list real vaporwave albums beneath them saying, "this stuff is adjacent to what we do"
>>0x00001c
when in reality it's the other way around.
but to each their own. I'm sure whatever artists did not make these kinda graphics themselves.
>>0x000020
>literal synthwave, chillsynth, and hypnagogic pop is "vaporwave" now
>but music that sounds indistinguishable from 99% of any other vaporwave isnt vaporwave now just because they happened to sample their own original music
Sad Boys is a music collective from Stockholm, Sweden; formed by Yung Lean, Gud, and Sherman. The group is associated with fellow Stockholm artists Bladee, Ecco2k, Thaiboy Digital, and Whitearmor making up the members of art and music collective under the name of Drain Gang, formerly Shield Gang, formerly Gravity Boys.
refer to the transitional or transformative spaces that exist between distinct phases, states, or conditions. The term "liminal" comes from the Latin word "limen," meaning "threshold." Liminal spaces can be both physical and metaphorical, and they are often associated with ambiguity, disorientation, and a sense of being in-between.
The sky above the port was the color of television, tuned to a dead channel. Beneath it, we carve out our neon dreams and dystopian fantasies. This is the Cyberpunk Thread, a digital alleyway where art bleeds into reality, and reality is as mutable as the code that binds us.
What You'll Find Here
> art
> cosplay
> cityscapes
> architecture
> gadgets
> weaponry
> cybernetics
Jack in. Plug your consciousness into this shared hallucination. Whether you’re a console cowboy, a street samurai, or a netrunner tracing the data lines of the megacorporations, this thread is your sanctuary.
Welcome to the future, chummer.
>>0x00000b
> me irl
the main reason i cant relate to hooni at all is because i look more like that than like him
>>0x00000c
give me a comic with that guy as the MC
>>0x00000d
> give me a comic with that guy as the MC
one time i read a webcomic about moe from the simpsons and his misadventures and it was a lot more relatable because im more of an ugly caveman then a small twink
but i can relate to hooni wanting to kill himself constantly
>>0x00000e
> a webcomic about moe from the simpsons
Simpsons webcomics is a rabbit hole that I always wanted to go down but haven't yet
I like any form of art that is based on the appropriation of popular media
We were talking about web comics with themes of depression on the other thread. I did like that one, and while I can relate with the anxiety-induced isolation of the character, I can't relate with the cuteness of it all. There is nothing cute about my life.
I wanted to share enough of this comic to show you what I mean.
I tried to capture the vibe with a few shots. But you should definitely be looking at all the panels in order on the actual page.
There's 14 chapters: https://tapas.io/series/Moes-Finale/info
holy shit this comic is good
Let's read the cyberpunk transhumanist comic book series written by Warren Ellis and drawn by Darick Robertson; it was published by DC Comics in 1997–2002.
> In college I stayed the night at these peoples' house after a party and waking up earlier than anyone else, I didn't have much to do except read the first issue of this comic. I remember liking it but I never saw it again and didn't think about it for a long time.
I'm going to be reading here. https://readcomiconline.li/Comic/Transmetropolitan
Cross over with the cyberpunk thread maybe? https://goeshard.org/main/0x000003/
Besides the mountain -> city transition, we also see Spider go from vagabond -> professional.
And one thing I didn't remember at all from when I first read this is the Transients, which is basically trans-species people. I didn't go into this prepared for how similar that is to modern contexts and I'm excited to see what kinda direction it will go.
Most cyberpunk I've seen with commentary about trans-humanism is in regard to becoming a cyborg as you replace your body with machine parts. This is completely different than that and seems more close to real, modern life than anything else I've seen so far.
We learn how it's possible for transients to change their species into an alien. I just read it and even I couldn't explain it to you. Everyone hates the transients. They're holed up in a ghetto, moving around convinced they've seized control but they're just waiting to be slaughtered. Kinda remind me of anarchists from the Spanish Civil War.
Their leader is a douchebag.
only consists of the dc Emotional Hardcore scene and the late 90's Screamo scene. What is known by "Midwest Emo" is nothing but Alternative Rock with questionable real emo influence. When people try to argue that bands like My Chemical Romance are not real emo, while saying that Sunny Day Real Estate is, I can't help not to cringe because they are just as fake emo as My Chemical Romance (plus the pretentiousness). Real emo sounds ENERGETIC, POWERFUL and somewhat HATEFUL. Fake emo is weak, self pity and a failed attempt to direct energy and emotion into music. Some examples of REAL EMO are Pg 99, Rites of Spring, Cap n Jazz (the only real emo band from the midwest scene) and Loma Prieta. Some examples of FAKE EMO are American Football, My Chemical Romance and Mineral EMO BELONGS TO HARDCORE NOT TO INDIE, POP PUNK, ALT ROCK OR ANY OTHER MAINSTREAM GENRE
---
I've been diving back into old emo/screamo after not listening to a lot of it for over ten years. I'm keeping a record of things I've been listening to in this thread so that maybe I won't forget all the obscure records this time around.
An emoviolence band from Mexico that 90% of the time is going to give you short, fast songs with a lot of chaos. They do like to change it up a bit. Occasionally you can hear that they've added some subtle synthesizer to the bass line. They don't bring this out often, but when they do it gets you moving. And the vocalist can be very precise with timing when he wants to be. Unfortunately most of the time he's just going to default on the powerviolence dog barking that you either love or hate.
https://zarathustrahbk70s.bandcamp.com/album/discography
Mostly have to recommend this band to people looking for a solid powerviolence act that is occasionally trying out some different ideas. It's impressive when you find this type of music actually making you snap your fingers and tap your foot. But maybe those moments are too rare and far inbetween.
I can't not mention Vlado Petrik from Chile who they share an EP and 4-way split with.
There's also Spectres (San Francisco) and The Short Blooming (Germany) on the 4-way split.
from Barcelona, Spain.
~2005-2008
I like this one the best.
https://reactionreaction.bandcamp.com/track/malditos-roedores
Shout outs to
"The girl I used to fuck two years ago was a man."
Formed October 1999, Watertown, MA, United States
Disbanded August 2000
https://roboticempire.bandcamp.com/album/hassan-i-sabbah-self-titled-7